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'The Last Film Show' movie review: An ode to the reel
Must admit, for personal reasons, I’ve had to watch this film on a screener (a small screen) — can totally imagine how the display of reflection, light (industrial, natural), colors, and indeed some money shots do with sprockets and negatives, would be way more mesmerizing in an actual theatre. In the sense that the film, about a little village boy, who finds access to a projection room in a cinema named Galaxy, and is besotted by it, is supposedly set in 2010. And while all filmmakers, without an exception, have their own romantic stories of how they first got infatuated with cinema, many of them involving theatres and projection, Nalin’s is captivating enough for the strides he took, to strike it big, if you may. But will be compared against, nonetheless. Please fill up the form for authorized use of the content. Source: Mid-Day
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